In a world where binge-watching has become the norm, Prime Video’s latest series, “The Sticky,” stands out with its quick six half-hour episodes that leave viewers craving more. The buzz around this dark comedy, centered on a maple syrup heist in Quebec, is undeniable. But behind the scenes, a different story is unfolding – one that has show creators and writers concerned about the future of the television industry.
- A Decline in Episode Numbers:
- Scripted episodes in a season have been decreasing steadily over the years, leaving creators feeling the pressure to play it safe and minimize risks.
- The Canadian Media Producers Association recently reported a significant downturn in Canadian television production, attributing it to various factors such as strikes, inflationary pressures, and dwindling revenue.
- Impact on Writers:
- The Writers Guild of Canada highlighted a decline in the number of Canadian TV episodes ordered since 2018, resulting in fewer opportunities for writers.
- With a decrease in the number of episodes ordered, writers are facing uncertainty and nervousness about the future of their careers.
- Changing Landscape in Television:
- Both in Canada and the US, the trend towards shorter seasons is evident, with scripted series opting for 10 episodes or less.
- Rising production costs are forcing content creators to take fewer risks, leading to shorter, serialized seasons that cater to the preferences of today’s viewers.
- Concerns about the Future:
- Canadian creatives are worried about the impact of shorter orders on the industry, as opportunities for actors, writers, and crews are shrinking.
- The rise of “mini-rooms” in Canada, where small writing teams handle entire series, poses a challenge for marginalized voices trying to break into the industry.
As the industry grapples with these challenges, calls for increased government support for Canadian content are growing louder. While the future remains uncertain, the need for a revised regulatory framework to support sustainable television production in Canada is more critical than ever.
In the midst of these changes, the hope for a revival in the industry remains strong. The future of Canadian storytelling depends on the support it receives, and the audience’s appetite for longer, more immersive storytelling experiences on TV is undeniable. As we navigate these uncertain times, the resilience and creativity of Canadian creators will undoubtedly shine through, shaping the landscape of television for years to come.
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